Awarded
Maximage: David Keshavjee / Julien Tavelli
'Super Litographie', various printed matter
Graphic Design
Awarded
'Super Litographie', various printed matter
Graphic Design
Magic Prints
How is it possible to combine high and low tech in offset printing? The graphic designers David Keshavjee and Julien Tavelli from Lausanne are developing their own independent handwriting on the basis of their deconstruction of offset technology. They describe their research as 'Super Lithography – Experiences in Offset Printing'. The creative duo has worked together ever since they graduated from ECAL with a diploma in the year 2008. What sets them apart from other designers is their handwriting style and colour palette, some parts of which are extremely colourful. Offset printing is now typically based on the 'computer to plate' process, whereby the printing plates are generated directly on the basis of the draft in the computer. Keshavjee and Tavelli enjoy working in the print shop and taking a hands-on approach to the printing plates: they combine computer drafts with manual interventions straight on the printing plate where they use chemical developers, engraving, photo compositions or heat marking. For a contract assignment, the album cover for the band 'Honey for Petzi', they only drafted the typography on the computer. Everything else was done by hand, based on the principle of addition and subtraction of offset colour on four square surfaces. The contrast between computer technology and manual intervention gives rise to an innovative and independent language. Sometimes David Keshavjee and Julien Tavelli dispense with the computer altogether. Their non-commissioned work 'Les impressions magiques' was created exclusively by hand. Using chemicals, the two designers made the drawings directly on the offset plate. Since no step in the drafting process could be reversed, chance played a decisive role. The work of the designer duo is original and uncompromising. They greatly benefit from their research on manual printing processes and play skilfully with the contrast between the precision of the draft on the computer and the crudeness of manual intervention. The result: magic prints.
Peter Stohler
David Keshavjee
Born in
1985
Education
Graphic Designer
Julien Tavelli
Born in
1984
Education
Graphic Designer