Awarded
Sibylle Hagmann
Font 'Odile'
Graphic Design
Awarded
Font 'Odile'
Graphic Design
No fear of the ornament
Designer Sibylle Hagmann – one of the few female representatives of her discipline – can look back to a varied international career; today she lives, works and teaches in the US. First trained at the Schule für Gestaltung Basel she obtained a masters' degree at the Californian Institute of the Arts. In a very refreshing way her work differs from the tradition of Swiss typeface design, yet without denying its roots. Looking back she says that at the Basel school Adrian Frutiger's 'Univers' was all but omnipotent. Today, Sibylle Hagmann has an eclectic approach to typography which is probably due to the much younger and less tradition-oriented practice of typeface design in the US. Skilfully, Hagmann uses the narrow space for innovation intrinsic to the medium. Inventing a new typeface, she says, is about as difficult as designing a genuinely new type of chair. 'Odile', however, combines innovation and tradition, alluding as it does to 'Charter', an American typeface created, but never completed, in the 1930's by William Addison Dwiggins. Hagmann's aim for her further development was to create a typeface that proves reader-friendly for longer texts as well. The result of several years of design work is vibrant and at the same time agreeably discreet. Innovation in typeface design is possible here because a convincing concept is combined with a strong sense of form. 'Odile' comes as nine-part typeface family, available from regular to italic up to tendriled initials. Its ninth most playful form it does not show any fear of ornament: it consists completely of tendrils or abstract signs. It is thus not surprising that the artist couple Gerda Steiner and Jörg Lenzlinger, who have come to be known for their floral installations, already used the typeface for their exhibition invitations.
Peter Stohler
Sibylle Hagmann
Born in
1965
Education
Grafikerin, MA of Fine Arts