Awarded
Moritz Schlatter
Furniture 'untitled'
Product and Industrial Design
Awarded
Furniture 'untitled'
Product and Industrial Design
Furniture 'Ohne Titel' (untitled)
Product designer Moritz Schlatter has handed in an unusual project: visualisations, preciously framed renderings of his not yet realised drafts for the 12-piece furniture collection '_Ohne_ Titel_' (untitled). The product designer and partner of Zurich company 'Bob_Design', trained at the Hochschule für Gestaltung und Kunst Zürich, presents a very conceptual and surprisingly refreshing piece of work. It plays with shapes of known small furnishings meant to jazz up our households: side-table, bench, coat rack, lamp. The furniture produced out of steel panels and steel pipes act out a kind of typology. Certain surfaces and radii are always repeated. The young Zurich designer asked himself how he could combine several function levels. His research led to a multiplicity of seating possibilities with diverse characteristics: the designs have a combination of seating or table surfaces with an individually designed part protruding from it. First it is, more conventionally, a coat rack for hanging up clothes, then a kind of tray to deposit things and, eventually, a lamp. Moreover, there is also a design for a simple bench with a hole that can be used to put a broom inside it with its handle facing down. The young designer approaches things in a witty experimental way. His furniture is irritating and touching, as he says. Two staged photographs 'schuhstuhl' (shoe chair), a shoe rack with a possible seat, are called '_Mekka_'. The designer shows no reservations here. A question arises: is the blueprint for the piece of furniture perhaps more important than the realisation? Should the furniture never be produced because it is probably more attractive as a project draft? Moritz Schlatter certainly seduces the beholder with his perfect visualisations. On inquiry he finally says: 'The drafts are the completed work.' The title '_Ohne_Titel_' (untitled) is probably to be understood as a reference to naming practice for works of art.
Peter Stohler
Moritz Schlatter
Born in
1976
Education
Industrial Designer