Matthias Bruggmann

Awarded

Matthias Bruggmann

Photo research 'Iraq'

Photography

Jury report

Images of desolation
How does one re­port on a war? The Lau­sanne pho­tog­ra­pher Math­ias Brug­gmann shows de­tails from the con­flict in Iraq. The first thing one ex­pects from a pho­to­jour­nal­ist's re­port is prob­a­bly that he should be as close to events as pos­si­ble, but Math­ias Brug­gmann fre­quently dis­tances him­self from war­like ac­tiv­i­ties. He set him­self two tasks for the 'Iraq' photo-se­ries from US-oc­cu­pied Iraq in the throes of civil war: firstly to work on his photo-jour­nal­ism and sec­ondly to de­velop a per­sonal view. So his pic­tures do show the an­tic­i­pated burn­ing oil-fields or sol­diers at iden­tity checks. But Brug­gmann also takes un­ex­pected, metaphor­i­cally charged pic­tures like the one of a bro­ken mir­ror, or an ar­chi­tec­tural model that has been de­stroyed. Brug­gmann also tries to re­flect on the con­di­tions of pho­tog­ra­phy in the light of work by his pro­fes­sional col­leagues. For ex­am­ple, one pho­to­graph shows the spot­lights being set up be­fore a TV team starts film­ing. A glance be­hind the scenes shows the om­nipresent and rig­or­ously mon­i­tored media ma­chine, with­out which we would be un­able to form a pic­ture of this hotbed of con­flict.
Aban­doned room and dev­as­tated land­scape are ev­i­dence of suf­fer­ing and mis­ery even if no peo­ple are in­cluded in the im­ages. But they are pre­sent in other pho­tographs, as refugees, or even as corpses. Brug­gmann's se­ries of pho­tographs is not just com­mit­ted to fac­tual nar­ra­tive, but also to at­mos­pheric im­ages that seem gloomy, al­most apoc­a­lyp­tic. The pho­tog­ra­pher's eye, with its per­sonal slant, forces the viewer to look at these pic­tures at­ten­tively. The in­de­pen­dent pic­to­r­ial lan­guage also takes the un­usual pre­sen­ta­tion form of a pic­to­r­ial mo­saic in twelve parts. This se­ries of phot­graphs with its muted colour scheme can be read on sev­eral planes, which makes it into an ex­cit­ing doc­u­ment of its times, but it is also a re­flec­tive pho­to­graphic essay that will still be valid even when the events are in the past.
Peter Stohler

Biography

Matthias Bruggmann
Born in
1978
Education
Photographe