Awarded
Catherine Leutenegger
Photo research 'Hors-Champ'
Photography
Awarded
Photo research 'Hors-Champ'
Photography
Photography about photography
Why show flashguns on stands, why show rolling backdrops? Why take pictures of photo laboratories? With her photo collection 'Hors-Champ', Leutenegger answers these questions in a convincing and atmospheric way. She is interested in what usually remains hidden from the camera, what has to be hidden from it in order for photography to show us something beyond its own medium. 'Hors-Champ', a photographic term and title of this photo series, is referring to what lies beyond the focus of the camera. The photographer trained at the Ecole cantonale d'art in Lausanne takes us with her on a expedition and documents photo studios and laboratories between Lausanne and Geneva. So they do still exist, these lovingly furnished photo studios in which objects are put in perspective with flash batteries or toddlers are lovingly placed in front of the lens and portrait assignments are carried out. Moreover, one also gets an insight in rooms one would otherwise never see: laboratories dominated by machines which still produce conventional film strips. Isn't this diploma project somehow nostalgic? These photos about places of photography, thus in a way a kind of meta-photography, refer to the constructed character of this medium. Why capture these places of photography exactly today? 'Hors-Champ' can be described as a kind of archaeology of photographic places. Often an investigation like this imposes itself when something is about to disappear. If not photography itself, then the aspects of conventional, analogous image production where light is captured on film strips and afterwards developed in chemical baths. 'Hors-Champ' is a manifold homage to the traditional tools of photography.
Peter Stohler
Catherine Leutenegger
Born in
1983
Education
Photographer