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Published on 31 October 2024

Awarded

Gerhard Gerber

Safety belt 'zwischen himmel und erde' (diploma work)

Product and Industrial Design

Jury report

Working safely between heaven and earth
How is it pos­si­ble to work safely at a con­sid­er­able height with a set of tools weigh­ing up to thirty kilos? The prod­uct de­signer Ger­hard Ger­ber has de­vel­oped a tool belt for just this pur­pose. Sim­i­lar prod­ucts did al­ready exist, but the prod­uct de­signer from Thun de­voted him­self to the quiet work of op­ti­miz­ing. Here er­gonom­ics – the the­ory of adapt­ing ma­te­ri­als to the qual­i­ties and abil­i­ties of the work­ing man to the great­est ex­tent pos­si­ble – does not just mean being able to sit more com­fort­ably, as in the case of an of­fice chair, but in ex­treme cases can make a dif­fer­ence be­tween life and death. The fact is that this tool safety belt in hard-wear­ing and yet breath­ing ar­ti­fi­cial fi­bres is used in steel and mast erec­tion, when as­sem­bling ca­ble-car equip­ment, out­door ca­bles and façades, and by the fire brigade or for in­dus­trial climb­ing. In other words, any­where where quick ac­cess to tools has to be guar­an­teed and the work­flow must not be in­ter­rupted what­ever hap­pens. So the belt with its mod­u­lar struc­ture also of­fers the pos­si­bil­ity of being sus­pended from a sup­port belt with­out any fuss. The tools are po­si­tioned on the body in such a way that the weight is dis­trib­uted across the shoul­der and hip straps as well as pos­si­ble. Snap hooks for hang­ing tools on can be placed in pre-sewn loops at pre­cisely the points that best suit the par­tic­u­lar fit­ter's body. Ger­hard Ger­ber re­fines the de­tails. The snap hooks, for ex­am­ple, are in­jec­tion-moulded so that they can­not twist side­ways. This is a cru­cial ad­van­tage, as only this con­struc­tion method makes it pos­si­ble to take tools out and put them back with one hand. Over­all, the de­sign of the tool belt meets the most rigid func­tional re­quire­ments, but also ful­fils high aes­thetic de­mands. This is an ex­am­ple of in­de­pen­dent, in­no­v­a­tive prod­uct de­sign, even if it is un­likely that lay­men will scarcely be able to rec­og­nize it as such.
Peter Stohler

Biography

Gerhard Gerber
Born in
1967
Education
Industrial Designer FH